From small-town Connecticut comes a four-piece band called LittleHouse, playing a brand of music that lurks somewhere between Rock and Americana — it’s a genre the band refers to as “Heartland.”
LittleHouse frequently performs in their own venue, which happens to be a barn. And they have put forth a live CD called Welcome To The Barn. Skope recently tracked down singer-songwriter Joe Patrina to ask a few questions…
How long has LittleHouse been playing together?
LittleHouse started out as just me in 2007, writing songs on acoustic guitar and piano. One day I had a repairman come in to fix a door, and he ended up being a professional rock bass player. We jammed, and the next thing you know, he brings in a drummer, who brings in a guitarist. Then some of the original guys moved on to other projects and new players came in. This is the way most bands evolve. It is like band formations and their disintegrations are the by-product of Greek Gods that are calling the shots. The current band has been together for four (4) years, and though we are four distinct artists, we have become a single unit of sound, which is what every band hopes to achieve.
Could you define the genre “Heartland” for me?
From the get-go, people started calling LittleHouse a country band, mainly due our song topics and their vivid lyrical content. But I sure could not categorize us as country, the way one would hear a typical voice out of Nashville. For that matter, I don’t consider Elvis or Johnny Cash pure country either. Plus, some of my material morphed into Rock and Blues. But regardless of each song’s genre, LittleHouse was definitely American music, with my earlier English Rock influences no longer in play. So I decided to call it Heartland Music, an amalgamation of American styles from the 50’s onward, with a center-of-country voice, and only a mild twang.
Must say I like the concept of your barn venue. That’s pretty unusual in New England, no? The acoustics sound pretty damn good to me.
Well it is unusual in New England because I got the whole idea in Virginia at the Carter Fold. In the 90’s I had made phone contact with Jeanette Carter, one of the original Carter Family cousins, and spoke to her about my problems as a songwriter, and she said “Son, you better get down here”. And I went down to “Poor Valley” in the Appalachians before she died, and visited with her. She taught me all about songwriting and singing too, especially about getting the lyric out front, ahead of the tone in your voice. More, she hosted shows each Saturday night in The Fold, which was a specially designed barn built by her brother Joe. I came home and pretty much did what she told me to do, and our New England fans now get the same intimate night out as the Carters delivered across America ever since the 1920’s.
Did you construct the barn yourself?
The LittleHouse barn was built in 1950, and built well, including being anchored by a tremendous field stone fireplace. In the old days it was a gathering place for local card games. What we did was convert it into an acoustically sound performance space. The “we” happened to be a whole stream of professional grade carpenter/musicians. For example, the roofers were a complete country band, and a couple of guys were in a Green Day copy band, etc. It was a blast, and the work done was of the highest quality. Today you can hear the room’s personality in the live recordings.
Is the barn always packed?
Yes it is. We do not charge to get in – not allowed to by town authorities – so plenty of new faces and regulars always want to come by. We post show dates on our WEB Site, and the first 80 email responses get put on the invite list.
Are you on lead guitar ? I hear some pretty mean licks ! Out of curiosity, what kind of six-string is that?
For the most part that is Tom Macgregor playing either a strat or a telly, with me on a Taylor acoustic. If you hear a second lead, that is me. Tom has great versatility as a player, and has a specific touch that comes through as part of the overall LittleHouse aesthetic. On the ballads, people just can’t figure how he gets the sound he gets.
Who are your most prominent influences?
Earlier in life I followed the guitar heroes, plus the big British acts, but even then I was also cataloging to memory the huge array of singer/songwriters that came primarily from America – the Johnny Cash, Roy Orbison, Bob Dylan, Joni Mitchell, Jimi Hendrix, Steve Stills, and Glen Frey/Don Henley types. Eventually, I started exploring music from before my time – early Black music from the 1800’s, and the hillbilly music of the same era. Jeanette Carter encouraged me to stay close to this older, true folk stuff, as the song content was more purely a reflection of the human condition, not trying to be too clever. She called them “grownup” songs.